Billet Doux make pop-rock music with heavy indie and electronic influences. I was introduced to the duo early this year when they released the song “Maybe Tokyo“, then officially became a fan after listening to their debut album, Superbloom Is Here Again. The album is out now.

Although they were born in France, Pierre (multi-instrumentalist) and Kaycie (vocalist & songwriter) were raised on a mix of musical styles. And they say California has had a major influence on them — incidentally, the album was inspired by the seasonal blossoming of flowers that can be witnessed in the deserts of Southern California.

Superbloom Is Here Again not only encapsulates Billet Doux’s sound but also captures the overall essence of the duo. Central to the album is the concept of renewal. In every facet of life, so we are reminded, challenges are often needed for renewal to begin. The process may never be easy, or pretty, but in the end, every experience becomes appreciated.

The power and universality of the message is accentuated by the attention to detail in the production. Pierre and Kaycie enlisted Olivia Merilahti as the main producer (Olivia Merilahti is the frontwoman of The Dø, a band they’re a huge fan of).

Superbloom Is Here Again spans various styles, from atmospheric ’80s inspired tunes to modern indie pop. Songs such as “Maybe Tokyo” and “Cautious” thrive on synthpop influences. Others like the acoustic-leaning, harmony-filled “White Walls” are gentle and meant to touch hearts. “Chaos Halos” is an especially solemn piece. “Mermaid Hands” and “Portraits” stand out as well.

Overall, this album shows us that pain and happiness can coexist, just like fears and hopes, or strength and vulnerability. Superbloom Is Here Again excels both in concept and execution, waking the world up to Billet Doux’s musical vision. You can find the duo on Instagram.