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NEW MUSIC
REVIEWS
FEATURES
LISTS
PLAYLISTS
KENYAN MUSIC
Phillip Nyalenda
Hear Mapei’s “The Greatest”, an Empowering New Anthem
Tracks
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2 July 2026
Hear “Blessed By Design” by Padre Tóxico and Declaime
Tracks
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13 October 2025
EP Review: PR4Y 4 PISCE$ by Parris LaVon
Reviews
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15 April 2025
EP Review: Lonely Boy by Joveth
Reviews
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10 April 2025
Naid presents amazing visuals for “Bwadra”, one of the songs on his new EP
Videos
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7 January 2025
Album Review: Coster Ojwang – ISNM (Imposter Syndrome No More)
Reviews
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21 December 2024
Can African Musicians Sustain a Career in Today’s Ever-Changing Industry Landscape? 4 Strategies to Explore
Features
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Tips & Guides
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15 December 2024
Where DJs can find new music for their mixes & live sets
Tips & Guides
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12 December 2022
Maya Amolo’s debut EP Leave Me At The Pregame introduces the emerging Kenyan singer [Interview]
Interviews
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12 August 2020
Gengetone, the business behind the hype and the question of a Kenyan sound
Features
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29 November 2019
Wasafi.com’s terrible failure and the valuable lessons on local music distribution
Opinion
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13 July 2019
The different roles of Music bloggers, publicists & marketers that each artist should understand
Tips & Guides
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4 May 2019
How musicians can build and use their own email lists
Tips & Guides
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26 July 2018
Is Pacho Entertainment now Naiboi Worldwide?
Opinion
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21 July 2018
I wish I’d met the old Mejja ‘Okonkwo’ and shook his hand
Opinion
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13 July 2018
Willy Paul, the “gospel tag” and why he just can’t cross borders
Opinion
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12 July 2018
Grandpa Records dies quietly but that is not even the breaking news
Opinion
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7 July 2018
Kaka Empire; a good booking agency but a poor talent manager
Opinion
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23 May 2018
Jonilar on the Role of a Music Publicist, and why an Artist needs one
Interviews
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14 March 2017
5 Top Kenyan Gospel Musicians Who Should Go Secular
Opinion
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15 February 2017
A Copyrights Approach to Solving Kenyan Music Industry Problems
Opinion
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6 September 2016
Presented to you by Cartels: How Radio and Tv Music program Djs are controlling the industry
Features
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2 September 2016
Music Streaming is almost fully here. Is the Kenyan Music industry ready?
Opinion
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22 August 2016
How Mavin Records Became one of the best Record Labels in Africa
Opinion
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5 July 2016
7 Poor Habits By Kenyan Musicians That Continue To Doom Industry’s Future
Opinion
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4 July 2016
What You Need To Understand About Mdundo As You Receive Your Royalties
Features
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1 July 2016
The Disheartening Case Of Xtatic
Features
,
Opinion
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30 June 2016
Typical Album Project: How Labels Would Invest and Get Returns
Features
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22 April 2016
Before You Invest Big into that Music Video, Think it through first
Opinion
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7 April 2016
Whichever way the music industry goes, Licensing and Copyright Ownership will always remain
Opinion
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4 April 2016
2016 may be Khaligraph Jone’s year
Opinion
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3 February 2016
Emma Jalamo and John Junior both taking Luo music higher
Opinion
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1 December 2015
Solving The Music Distribution Problem in Kenya
Opinion
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1 October 2015
Khaligraph Jones Versus Octopizzo: This Kenyan Hip Hop Battle Has Gone Athletics (and philosophical!)
Opinion
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10 September 2015
PAYOLA in Kenya: Is it entirely Wrong to Pay Djs and Media Stations for Promotion and Airplay?
Opinion
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18 August 2015
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![Maya Amolo’s debut EP Leave Me At The Pregame introduces the emerging Kenyan singer [Interview]](https://aipate.com/wp-content/uploads/2020/08/maya-amolo-leave-me-at-the-pregame-ep.jpg)
