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NEW MUSIC
REVIEWS
FEATURES
LISTS
PLAYLISTS
KENYAN MUSIC
Phillip Nyalenda
Author Bio
The editor-in-chief at Aipate, Phillip is all about exploring new music and documenting the sounds shaping the moment.
All Posts by Author
Hear “Blessed By Design” by Padre Tóxico and Declaime
Tracks
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13 October 2025
EP Review: PR4Y 4 PISCE$ by Parris LaVon
Reviews
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15 April 2025
EP Review: Lonely Boy by Joveth
Reviews
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10 April 2025
10 Interesting Nairobi Bands You Should See Live in 2025
Lists
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21 January 2025
Naid presents amazing visuals for “Bwadra”, one of the songs on his new EP
Videos
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7 January 2025
Album Review: Coster Ojwang – ISNM (Imposter Syndrome No More)
Reviews
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21 December 2024
Can African Musicians Sustain a Career in Today’s Ever-Changing Industry Landscape? 4 Strategies to Explore
Features
,
Tips & Guides
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15 December 2024
Where DJs can find new music for their mixes & live sets
Tips & Guides
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12 December 2022
Maya Amolo’s debut EP Leave Me At The Pregame introduces the emerging Kenyan singer [Interview]
Interviews
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12 August 2020
Gengetone, the business behind the hype and the question of a Kenyan sound
Features
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29 November 2019
Wasafi.com’s terrible failure and the valuable lessons on local music distribution
Opinion
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13 July 2019
The different roles of Music bloggers, publicists & marketers that each artist should understand
Tips & Guides
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4 May 2019
How musicians can build and use their own email lists
Tips & Guides
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26 July 2018
Is Pacho Entertainment now Naiboi Worldwide?
Opinion
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21 July 2018
I wish I’d met the old Mejja ‘Okonkwo’ and shook his hand
Opinion
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13 July 2018
Willy Paul, the “gospel tag” and why he just can’t cross borders
Opinion
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12 July 2018
Grandpa Records dies quietly but that is not even the breaking news
Opinion
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7 July 2018
Kaka Empire; a good booking agency but a poor talent manager
Opinion
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23 May 2018
Jonilar on the Role of a Music Publicist, and why an Artist needs one
Interviews
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14 March 2017
5 Top Kenyan Gospel Musicians Who Should Go Secular
Opinion
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15 February 2017
A Copyrights Approach to Solving Kenyan Music Industry Problems
Opinion
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6 September 2016
Presented to you by Cartels: How Radio and Tv Music program Djs are controlling the industry
Features
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2 September 2016
Music Streaming is almost fully here. Is the Kenyan Music industry ready?
Opinion
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22 August 2016
How Mavin Records Became one of the best Record Labels in Africa
Opinion
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5 July 2016
7 Poor Habits By Kenyan Musicians That Continue To Doom Industry’s Future
Opinion
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4 July 2016
What You Need To Understand About Mdundo As You Receive Your Royalties
Features
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1 July 2016
The Disheartening Case Of Xtatic
Features
,
Opinion
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30 June 2016
Typical Album Project: How Labels Would Invest and Get Returns
Features
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22 April 2016
Before You Invest Big into that Music Video, Think it through first
Opinion
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7 April 2016
Whichever way the music industry goes, Licensing and Copyright Ownership will always remain
Opinion
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4 April 2016
2016 may be Khaligraph Jone’s year
Opinion
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3 February 2016
Emma Jalamo and John Junior both taking Luo music higher
Opinion
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1 December 2015
Solving The Music Distribution Problem in Kenya
Opinion
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1 October 2015
Khaligraph Jones Versus Octopizzo: This Kenyan Hip Hop Battle Has Gone Athletics (and philosophical!)
Opinion
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10 September 2015
PAYOLA in Kenya: Is it entirely Wrong to Pay Djs and Media Stations for Promotion and Airplay?
Opinion
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18 August 2015
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![Maya Amolo’s debut EP Leave Me At The Pregame introduces the emerging Kenyan singer [Interview]](https://aipate.com/wp-content/uploads/2020/08/maya-amolo-leave-me-at-the-pregame-ep.jpg)
